April 30, 2008 by Christopher Born.

This site is an aggregation of vignettes; snapshots in space and time, written by all sorts of interconnected writers in Tokyo, New York, (well, see the image below…better yet, just click on it.) I was quite fascinated to get these little clips; they are like little jewels-very short points of brilliant light-of what’s going on in random urban lives.

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April 28, 2008 by Christopher Born.

I found a great Japanese fashion site today. 
Take a look at this graphic.



It shows the interrelationship between men’s styles and magazines that cover it.For the non -Japanese reader, the upper edge of the map is the shoshokusei ga tsuyoi/ryuuko. (This means “Heavy Ornamentation” and “Fashionable.) The orange left-most edge is Onauke-softo which means “Feminine/soft” while the grey right-edge says “Masculine/hard” in grey.  The bottom, in brown is shimpuru-teiban, which means simple, standard goods.  AAAGoing counter-clockwise, starting at the top-left, this quadrant is defined by  biyoushikei,  which is “The beautician style” which sports hyper-feminized, unisex, or even female looks.

In the darker orange box that stretches down in to the lower-right, Extreme quadrant, we find the urahara-kei.  Urahara is a play on words for “reverse;” these two kanji here, ura being hidden, or underneath, and hara being Harajuku’s hara.  Together they form “Reverse Hara or Harajuku Underground.”  It tends toward extreme fashion and is a layered look. 

The violet square in the middle, spanning all quadrants in the Mennon-kei, which gets its name from the famous fashion magazine “Men’s Non-No.”  This contains elements of all the styles out there and is most mainstream.Going to the bottom-left, the entire quadrant is defined by the Kireme-kei (This is characterized by freshness, put-togetherness, cleanliness, and safe fashions.)Within this quadrant, going slightly into the Biyoshi-kei, toward the “feminine” edge in the tan box is the Konsaba-kei (Conservative - “defined by elegance, glamor, soft, and a natural impression”.)

Moving right, we find ourselves in the ekusutoriimu-kei. This Extreme style is “hard” and “simple” style and “in the narrow sense, street fashion.”  It’s a mix of skater, outdoor, roomy, almost hip-hop fashion.  There are no sub-genres represented here. Moving back up into the top-right, the light-violet square is characterized by otona no rokku kei.  This “Adult’s Rock” fashion conjures up the words “Rock, Sexy, Hard, Tight” in many magazines, according to Elastic.  (Designer Kitahara Tetsuo comes from this trend.) This style gives you the feeling of street fashion meets high fashion, and the brands are quite costly. 

Inside of this box, we find the grey box of the onii-kei which corresponds to the onee-kei in the woman’s fashion chart below.  This is defined by tanned skin, brown hair, but a more mature presentation than the old-fashioned gyaru corollary of boys who felt left out by their yamamba compatriots.  (Being a group-based culture, the boys needed a group to belong to as well as they hung out with the pack of gyaru.) 

If you do read Japanese, here is the source material along with Japanese explanations of each fashion type.If you like, I can translate it for you you in the near future.  This is a good overview for those who think J-fashion is all decora and goth-loli. There’s a lot going on in the men’s world.

But not so nearly as much as in the women’s world!  

Take a look at this graphic!
On the top, you have the self-intended (Jibun shimu), on the left you have the elegant, on the right the casual, and the bottom, the mote (Mote refers to a girl who is popular with the guys, and vice versa.)In the upper-left quadrant, in olive green, you have the modo-kei (For the fashion addict, who pays attention to global trends, Paris, Milan, NYC, etc), and toward the bottom of the quadrant the arasaa in mauve (Arasaa is fashion for gyaru who never stopped being gyaru! - Araundo Satei or “around thirty”), which dips into mote.

In lavender, the hai-endo kei, (High end) spans the middle between the upper-left and the upper-right quadrants.

Moving to the right, the light-green box encompasses the street-kei, and you can see all of the magazines in that category. (Casual street clothes, fashion students, tops, skirts, jeans, etc.) Moving down to the bottom-right in the area of casual and mote, in the orange box is gaarii-kei, (Girly - think juniors) and the lime-green box is  gyaru-kei (gal, Used to be as in mamba, kogal, kawaii, etc. but according to the source site, it refers to a young lady who has overall fashion trendiness…”LA Celeb style” for whatever that’s worth!) 

On the bottom-left, in the pink box is the Onee-kei (Onee-san means “older sister and the Onee Kei refers to styles for women who have graduated from the Gyaru-kei).  Just above, in violet, is the OL-Kei which spans between elegant and casual. OL means “Office Lady” and tends to refer to women who, you guessed it, are professionals, and are going to be more conservative in appearance. 

Now, let’s go find some of these magazines!  Stay fresh, not stale! 

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April 26, 2008 by Christopher Born.

10 years ago, before I knew much of anything about Japanese Pop music, other than what I had learned on the streets of Osaka in 1997, I purchased Steve McClure’s Nipponpop from a little bookstore in St. Mark’s Place, NY.  It’s a glossy 11×17 book with tons of pictures, good reviews, and lots of eye candy.  It sits proudly on my “Americans intersect with JPop Culture” section of my library, right next to Fresh Fruits and Manga, Manga, Manga.

Now, being that it’s 10 years old, it’s very dated, but is still a good historical springboard from which to jump into exploring older trends, as well as forerunners of current.  It covers folks like Kome Kome Club, Ken Ishii (In fact that’s how I discovered him), Sakamoto Ryuichi, Amuro Namie, TRF, SMAP, Yuming, and a host of others.

The cool thing is that, after doing a search for Ken Ishii reviews on Google, I came up with the website that is an update to this book: www.NipPop.com. This has many of Steve McClure’s original content, plus ongoing information.   This is a great thing if you are unable to read such goodness as the Oricon Charts.  The Oricon Charts are akin to the top 40 in the USA. You can hear examples, see videos, and check profiles of popular and upcoming artists.

For instance, at the time of this writing,  羞恥心, or Shuuchishin (Shyness) is at the top of ths list.  Take a look!
Random Thought: If energy is so costly, why are we leaving all our lights on at every store across the nation all night long?

Yes, it sounds a bit un-PC with it’s title, but I think it’s probably a play on “Hip-Hop.”

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April 25, 2008 by Christopher Born.

I promised I’d post my slides for the UMSL presentation about Confucian Cardinal Relationships and Values in Shonen Anime.So, here you go:

• The HTML Version
• The PDF Version 

I used Keynote 2008, and printed to PDF and HTML directly from the application. I wanted to include the audio and video of the clips I showed, but realize that perhaps there may be copyright issues, so I erred on the side of caution. 

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April 25, 2008 by Christopher Born.

As if you have any more time for reading than I do…I’ve recently interacted over Facebook with one of my favorite writers and researchers on Japanese popular culture, Mr. Roland Kelts.  Those of you who have attended my classes or lectures know that I have gotten a lot of my material and raw content from his 2006 book, Japanamerica: How Japanese Popular Culture has Invaded the United States. I came to know about the subject of the previous post, Kuuhaku, after I searched for other works Mr. Kelts has written. In Kuuhaku, there is a story called “Father Hunters,” where Kelts writes so deftly about so many of the issues in the post modern, post bubble landscape, it made it onto my  ”Must Read” list for the next class I do.  He compressed many of the major points into a short 14 pages.  Subjects such as Oyaji-gari (hence the title), privileged kids and unemployed dads, ridiculous economic downturns, homelessness, freeter, hikikomori, and all the other early 2000’s stuff that has become commonplace and now is just part of the daily action in Japan. I am about midway through the entire book, and it is indeed a work that I like to ingest slowly and carefully, like a meal at Fletcher’s in Crestwood-savoring the smokiness of the uncomfortable and funny morsels, swishing around the melancholy wine in-between, and experiencing the graphics and drawings like hot bread pudding. Roland Kelts shared some of his new stuff with me, so, if you like this kind of thing, check out these links: Daily Yomiuri Arts Weekend  and  A Public Space

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April 18, 2008 by Christopher Born.

今日、朝４時３８分に起かせられた。セント・ルイスにすんでいる間で最初の地震があった。先週日本人の友達と一緒に昼ご飯食べながら、なんとなく地震の話題になった。僕は地震の経験がないといた。それは変えた、震度５．４で家の全体が縦揺れて窓の音で目がさまれた。面白い具然ですよ。

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April 16, 2008 by Christopher Born.

Lately, this book caught my attention:

Kuhaku & Other Accounts from Japan

Here’s the synopsis from the book’s page:

When we set out to find stories for Kuhaku & Other Accounts from Japan, we knew what we wanted: candid tales of life in Japan that weren’t trying to slice and dice the country and the culture into digestable nuggets. We weren’t looking for Ph.D. dissertations, just smartly told tales from the street.

Having lived in Japan for a long time, we realized these stories were everywhere. We tracked the writers down, asked permission to publish their tales, or more often, prodded them to put that story they had told us down on paper. Just about everybody responded favorably.

The stories in Kuhaku come from everywhere: tall tales told over beers in a pub, stories of corporate drudgery related during the lunch hour, doodlings on napkins at the local Starbucks and professional pieces produced on deadline for far-away readers.

I gotta get me a copy! Maybe you should too!

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April 3, 2008 by Christopher Born.

Here’s a sample of my keynote slides!

I’ll post the presentation after Saturday.

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April 3, 2008 by Christopher Born.

Below is the introduction I delivered for Linda, Linda, Linda at Washington University in St. Louis’ Japanese mini-film festival. I really liked this film and highly recommend it from an entertainment and from a sociological perspective. Someone needs to update Hendry and Sugimoto, because things are changing a bit!

In highly developed economies, it is hard to find a more universal theme than that of school life. Because of the compulsory educational standards found both in the United States and in Japan, nearly everyone has some commonality when it comes to memories of adolescent relationships, classroom happenings, and the general type of self-discovery that comes along with the experience we call “high school.”

Unsurprisingly, the film we are about to see does not revolve around classroom happenings, but on interpersonal relationships and group dynamics found within school clubs. Clubs are an important aspect of Japanese school life. Clubs or circles exist throughout school life, from the earliest grades throughout university life, and are integral for social acclimation. There are all sorts of clubs, from dance to martial arts, music to computers, anime to sports, chess to sewing and fashion. Yet, many times, the clubs exist more for the social interaction than the enjoyment of the activity itself!

Clubrooms are places where students can go after school or during breaks to hang out and enjoy spending time with likeminded people. Clubs provide an “in group” within a society that places a high premium on being part of “the group.” These “In” or “Sub” groups allow for individuality in numbers, thereby not causing someone to be a loner or stick out too greatly. If many people enjoy the same activity, there is safety in those numbers. Clubs at any given school also have long histories. Members of any given club may have more or less social capital depending on the status and reputation of the club. Even after members graduate, there is still a sense of community that endures into college years and beyond.

Part of fitting in with a club, or most of Japanese society for that matter, is maintaining group harmony. Not committing meiwaku or an annoyance against a given group is crucial to preserving wa, or harmony. In Linda, Linda, Linda we see a group where some interpersonal meiwaku has fragmented a rock band made up members of the pop music club. This band must still perform at the school festival, but finds itself without a singer. In an attempt to goad one of the members back into singing with the group, one of the band members rashly recruits Son, a Korean exchange student to sing for the band. Not only is Son an outsider in that she is a Gaijin, or foreigner, but the members of this club have been tight with one another since junior high. The offended member stalks off, and as the plot unfolds, the inexperienced Son gets a crash course in Japanese group behavior. Quickly acclimating to an established group in any cultural context, even your own, can be daunting at best. Perhaps some of you who have lived abroad may identify to an extent with Son; I am sure many of us have been on the other side where we are still figuring out how to best embrace and relate to those who are different from us.

At any rate, more than just being a good snapshot of Japanese school life, the movie we are about to see does a good job examining themes of cross-cultural exchange, group dynamics, perseverance, and friendship. Without further ado, please enjoy the show!

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April 3, 2008 by Christopher Born.

I mentioned a while back that I am giving a presentation on Confucian Cardnial relationships, so I thought I’d give a few more details about the presentation. The event begins at 10:00 AM in the Social Sciences Building at UMSL. The event is University of Missouri - St. Louis’ annual “Japan on Campus” day. I will be presenting how ancient Confucian values are still very much alive as the underpinnings of Japanese society, albeit with a twist. Certain cardinal relationships have greater meaning than others, while values of on, giri, rei, and jin are undeniably persistent. We will be applying this knowledge to contemporary Shonen animation to drive the point home. It will be fun to examine the postmodern animation in the context of Confucian values! Welcome to Mechademia - anime examined from the academic perspective.

I mentioned this book before, but since I recently re-read it, I think you may truly enjoy it. T.R. Reid presents a very positive, engaging, and entertaining take on East Asian societies, particularly Japan, and theorizes how Confucian values help keep society together. This book was published in 1999 and is a bit dated, so many other social issues have come up since then that this book could not have addressed. But, the theory and basics are still correct for most of society. Thought this would be a nice contrast to Zielenziger’s Shutting Out The Sun, which, while having good facts, is also a Western perspective and a bit negative.

I am ordering a bunch of Japanese books from Amazon.co.jp shortly that are about Shakai-Mondai (Societal problems and issues) by Japanese and for Japanese readers. I want to see their take and contrast as well.

Confucius Lives Next Door:

What Living in the East Teaches Us About Living In The West

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